Let me know if you have any problems or questions (E-Mail address: valdezmarc56@gmail.com).
--------------------------

"A Guidebook To 'Breaking Bad' Filming Locations: Including 'Better Call Saul' - Albuquerque as Physical Setting and Indispensable Character" (Sixth Edition)
Purchase book at the link. This book outlines thirty-three circuits that the avid fan can travel in order to visit up to 679 different filming locations for "Breaking Bad" and "Better Call Saul" in the Albuquerque area. Some background is provided for each site, including other movies that might have also used the site for filming.
"‘Breaking Bad’ Signs and Symbols: Reading Meaning into Sets, Props, and Filming Locations” (Second Edition)
Purchase book at the link. “‘Breaking Bad’ Signs and Symbols,” aims to understand some of the symbolism embedded in the backgrounds of “Breaking Bad” and “Better Call Saul,” in order to decode messages and stories Vince Gilligan and crew have hidden there. A series of tables are used to isolate how certain (particularly architectural) features are used: Gentle Arches, Tin Ceilings, Five-Pointed Stars, Octagons, etc. Daylighting innovations that were either pioneered or promoted in Chicago are examined: Glass Block Windows, Luxfer Prismatic Tile Windows, and Plate Glass Windows.
Certain symbols advance the plot: foreshadowing symbols like Pueblo Deco Arches, or danger symbols like bell shapes and stagger symbols. Other features, like Glass Block Windows or Parallel Beams in the Ceiling, tell stories about the legacies and corruptions of modernity, particularly those best-displayed at Chicago’s “Century of Progress” (1933-34).
To avoid unnecessary friction, I have redacted the addresses of all single-family homes in these books. (These addresses are still available at Marc Valdez Weblog, however.) The pictures in the print editions are black-and-white, in order to keep costs down.
"A Guidebook To 'Breaking Bad' Filming Locations: Including 'Better Call Saul' - Albuquerque as Physical Setting and Indispensable Character" (Sixth Edition)
Purchase book at the link. This book outlines thirty-three circuits that the avid fan can travel in order to visit up to 679 different filming locations for "Breaking Bad" and "Better Call Saul" in the Albuquerque area. Some background is provided for each site, including other movies that might have also used the site for filming.
"‘Breaking Bad’ Signs and Symbols: Reading Meaning into Sets, Props, and Filming Locations” (Second Edition)
Purchase book at the link. “‘Breaking Bad’ Signs and Symbols,” aims to understand some of the symbolism embedded in the backgrounds of “Breaking Bad” and “Better Call Saul,” in order to decode messages and stories Vince Gilligan and crew have hidden there. A series of tables are used to isolate how certain (particularly architectural) features are used: Gentle Arches, Tin Ceilings, Five-Pointed Stars, Octagons, etc. Daylighting innovations that were either pioneered or promoted in Chicago are examined: Glass Block Windows, Luxfer Prismatic Tile Windows, and Plate Glass Windows.
Certain symbols advance the plot: foreshadowing symbols like Pueblo Deco Arches, or danger symbols like bell shapes and stagger symbols. Other features, like Glass Block Windows or Parallel Beams in the Ceiling, tell stories about the legacies and corruptions of modernity, particularly those best-displayed at Chicago’s “Century of Progress” (1933-34).
In addition, a number of scenes in the show are modeled after Early Surrealist artworks. The traces of various artists can be tracked in both shows, including: Comte de Lautréamont, Giorgio De Chirico, Man Ray, Max Ernst, Leonora Carrington, René Magritte, Toyen, Yves Tanguy, Remedios Varo, Paul Klee, and in particular, Salvador Dalí.
--------------------------
Here's an update to a video I first made in February regarding the uses of architecture and symbolism in "Breaking Bad" and "Better Call Saul."
Albuquerque's architecture itself is telling plot-supporting stories and influencing the filming-location-selection process. It is possible to “read” the background of scenes and catch subtle revelations, even years in advance of the plot. Puzzling location-selection decisions can finally be understood.
One such story is a cautionary tale about the excesses and corruptions of modern life, as refracted through the history of the City of Chicago, particularly its “Century of Progress.” In their different ways, both Walter White and Saul Goodman are perfect children of Chicago’s “Century of Progress.” As it happens, Albuquerque received many of its architectural features straight from Chicago, so the city can serve as an effective showcase of Chicago’s influence on America and the world.
Another story concerns window technology. The television shows recapitulate the recent history of how glass windows were modified to introduce more sunlight into the recesses of large buildings, and reciprocally, once electrical lighting technology improved, how large buildings became beacons and lanterns in the night. The City of Chicago had an out-sized role in this process. Private worlds were rendered less private, turning even inner life into a kind of theatrical performance, with all the attendant temptations and dangers. Among these widespread window innovations in Albuquerque, and useful as Chicago callbacks, are Glass Block Windows and Luxfer Prismatic Tile Windows. Even plate glass windows have their place.
The creative teams also use Albuquerque’s Pueblo Deco architecture, particularly archways and ceilings, as foreshadowing elements. Traditional church architecture, such as clerestory windows, are also used, as are other Christian symbols.
Understanding the crystalline labyrinth of Vince Gilligan’s Albuquerque deepens one’s appreciation for the real city: the Aged Sapphire of the Southwest!
"Better Call Saul," Season 3, episode 10, 'Lantern'

"Better Call Saul," Season 3, episode 9, 'Fall'

Degas' relationship with ballet seems twisted, his subjects look tortured, and his work still surprises. Wikipedia states:
Certain critics were shocked by the piece, and the dancer was compared to a monkey and an Aztec. One critic, Paul Mantz, called her the "flower of precocious depravity," with a face "marked by the hateful promise of every vice" and "bearing the signs of a profoundly heinous character."
"Better Call Saul," Season 3, episode 8, 'Slip'
Another good example of clerestory windows comes from 'Crawl Space' in "Breaking Bad" - the Mexican field hospital. The context of both uses is healing (I like how Chuck rolls his eyes at 'orange oranges.' Chuck's hip - he's seen "The Godfather.")
Nacho executes his plan:
"Better Call Saul," Season 3, episode 7, 'Expenses'
I was pleased they finally used two buildings that have been waiting for years and years for the BrBa/BCS creative team to arrive: 1.) The Furniture Store at Daskalos Center (all that glass block: 5343 Menaul Blvd. NE), and 2.) The Santa Rosa Insurance Group, hosted at Aperture Center, right across the street from "Q" Studios (they've filmed all around it for years).
The Aperture Center was designed by famous NM architect, Antoine Predock. In 1979, I took a beginning modern dance class at UNM from his lovely wife, Jennifer Predock-Linnell. She is still active today. For example, this performance video. At 5:00, they show that the visuals for her dance piece were displayed outdoors (visible even from the Frontier Restaurant) at the UNM School of Architecture, also designed by Antoine Predock. Jennifer has connections there!:
Plus this piece at White Sands:
"Better Call Saul," Season 3, episode 5, 'Chicanery'
Superb episode (despite the lack of many new locations)!
I didn't like last week's episode, and feared the writers' minds had gone completely to mush in the southwestern sun, but I feel much better now. If Chuck had kept his cool, he would have remembered that current makes him uncomfortable, not capacitance, and a battery just by itself should be harmless to him. I love Chuck, no matter what. My hero!
Here's an excellent interview with Gordon Smith, writer of episode 'Chicanery.'
The Carpenter's Union Building hosted Kim's disclosure to Mesa Verde.
----------------------------------
"Better Call Saul," Season 3, episode 4, 'Sabrosito'
I was just annoyed with the episode. Wasted opportunities. Sigh. Maybe next week will be better.
I felt 'Sabrosito' jumped the shark. The last thing Hector should have done at Los Pollos is make a public exhibition, especially after the DEA raided his shop. Mexican drug lords like drama, but the situation was far too risky for even the most flamboyant drug lord. Gus' pep speech was absurdly hollow. The script writers pandered to the BrBa fans by having the conversation at Don Eladio's track Salud so closely. They could have done something new, something imaginative instead. But no....
And apart from the interview room, no new sites.
Basically a face plant of an episode.
Let me explain.
A true Mexican drug lord response would have been for Hector to kidnap Gus, yell at him for a time, then release him.
I've been trying to follow what's been going on in Mexico lately in regard to the lives of Jesús Alfredo Guzmán Salazar and Iván Archivaldo Guzmán Salazar, sons of El Chapo Guzmán, heretofore head of the Sinaloa Cartel and the world's greatest drug lord, now living in a U.S. jail.
In August, 2016, in news that went around the world, Jesús was kidnapped from La Leche Restaurant in Puerto Vallarta, and held for a week. He was held by Jalisco New Generation Cartel, which is a considerable surprise, since Jalisco New Generation and Sinaloa Cartels are frequent allies. Apparently this kidnapping was a negotiating tactic. Either just business as usual, or Jalisco New Generation got angry for some reason - maybe not that different than Hector getting mad at his ally and rival Gus. So, Jalisco New Generation kidnapped Jesús, probably to yell at him for a time. Maybe a touch of torture. Just to let him know who's boss.
Life for Los Hermanos Guzmán has been tough the past year. They were ambushed by their father's ally Dámaso López in February, and barely survived, probably only because they were in the heavily-armed company of one of Mexico's most-powerful drug lords, Ismael “El Mayo” Zambada.
Dámaso López was arrested just the other day. So, the brothers Guzmán are doing better these days, not because they are necessarily terribly-bright, but because they have powerful allies.

Kidnapping is the Mexican way, even if you don't want to hurt the victim, but just make them squirm.
----------------------------------
"Better Call Saul," Season 3, episode 3, 'Sunk Costs'
We've seen glass block on one side of Jimmy, then on two sides (Chicago hospital lobby), and now on three sides. There will come a time when Jimmy is completely surrounded by glass block.
Looks like Tijeras Arroyo for the Mexican desert scenes, but with a staggering amount of prep work (those telephone lines don't exist in reality) and digital reworking after-the-fact (to get rid of the offroader abuse over the years). Amazing!
"Better Call Saul," Season 3, episode 2, 'Witness'
I was delighted by watching the background in episode 'Witness'. This episode had at least four of the symbolic background elements I discussed in my Albuquerque talk last February, "Streamline Moderne and Jimmy McGill": 1.) Howard parking in front of the Charles Lembke House, the Streamline Moderne house at 312 Laguna Blvd. SW; 2.) The octagonal symmetry of the sunburst on the wind chime; 3.) The glass block on the house located across the street from Los Pollos Hermanos (north side) and garage (south side), roughly 1851 Lakeview Rd. SW and 4.) The "Word Search" puzzle - a Cartesian grid used as a prop in the context of a question, "Hey, you take care of that matter?"
Mike pursues his gas cap on a rainy night.
1.) Going up the hill into Rio Rancho (35.213959°, -106.662802°).
2.) Coming down the hill from Rio Rancho (essentially the same place as going uphill).
3.) Empty parking lots, near Intel in Rio Rancho: (35.221531°, -106.661532°)
4.) On the curve on Coors Bypass NW, across from Cottonwood Mall (35.194995°, -106.657669°)
5.) 55 mph. Tennyson & Paseo del Norte Blvd. NE.
6.) Overpass (15 ft. 0 in.). Tennyson & Paseo del Norte Blvd. NE.
7.) Rail yards.
8.) Where Coors Blvd. NW crosses Calabacillas Arroyo.
Regarding the Word Search, at first I thought the key word was "Columbia". In 2003, the Space Shuttle Columbia was brought down by a chunk of foam which struck the wing at the speed of sound. NASA had become inured to the risks of flying foam chunks. So I was thinking here it meant a small risk, that under the right circumstances could be fatal. What risk, we don't know yet.

Rapollo is a perfect name! Apollo is the label of space-age plausible deniability, the disguise they built into the Word Search.
Hell yeah (5:15-5:40):
Los Pollos Hermanos Promotional Ad
Los Pollos promo.
New Season 3 Filming Locations
Northeast Heights (E. of Wyoming, W. of Juan Tabo, S. of Osuna)

This building was also the IRS Tax Offices ("Breaking Bad", Season 4, episode 9, 'Bug'), where Skyler demonstrates her command of Quicken.

Upper Northeast Heights (E. of Juan Tabo, S. of Osuna)
(no new locations offered with this update)
Northeast Heights (N. Of Osuna)



Mike pursues his gas cap on a rainy night.

Segments (5) and (6): above and under the overpass (15 ft. 0 in.). Tennyson & Paseo del Norte Blvd. NE.
Lower Northeast Heights (W. of Wyoming), & Lomas Blvd. Corridor








From 2012 archives. I've gotten in the habit of taking photos of anything in ABQ that looks even remotely interesting. You never know.







("Better Call Saul," Season 3, episode 9, 'Fall'; episode 10, 'Lantern'). Jimmy manipulates Irene, and her friends.
Downtown

The walk across the street was from the Police Department to the old Albuquerque City Hall, at 400 Marquette Avenue NW ("Better Call Saul", Season 3, episode 5, 'Chicanery').
There are three almost co-located filming sites in the basement level of Albuquerque/Bernalillo County Government Center, 1 Civic Plaza NW (35.087733°, -106.651710°):
1.) Vincent E. Griego Council Chambers ("Breaking Bad," Season 4, episode 3, 'Open House'). Hank watches City Council proceedings on Cable TV.
2.) Hallway with soda machines ("Better Call Saul," Season 3, episode 5, 'Chicanery'). Jimmy and Kim take a break from disbarment hearings.
3.) Stairwell ("Better Call Saul," Season 3, episode 5, 'Chicanery'). Huell plants battery on Chuck. ("Better Call Saul," Season 4, episode 9, 'Wiedersehen'). Jimmy lashes out in frustration.
I'm thinking Jimmy also watched City Council proceedings on late-night TV too, but I can't remember what episode it was.

Anna Dorfman, a new-ish Albuquerque resident and blogger, sends a note:
Hi Marc,
Thanks so much for your excellent coverage and analysis of the locations in Breaking Bad and Better Call Saul! As a fan of both shows and a new resident of Albuquerque (via Brooklyn), it's been a great way to learn more about the city with a bit of (pop culture) guidances for help.
I'm attaching a few photos I took on December 6, 2016. I was walking around downtown in the evening after an appointment, and I noticed the KiMo was looking even more beautiful than ever, and that for once there were no cars in front to obstruct my view! Oblivious to the police cars, film crew trucks, and road barriers (I think being a New Yorker has made me blind to a lot of things, haha), I started taking some photos with my phone—only to be stopped by a very kind officer who informed me that Better Call Saul was about to start filming and that I needed to stop taking photos. I asked whether the movie on the marquee, Bunny Lake Is Missing, was actually playing, and he laughed and said no, that's just for the set.
...Again, thanks so much for all of the hard work you put into your blog!
Kind regards,
Anna



Great murals here! I suspect there are tight links between Warehouse 508 and "Better Call Saul." The location of the basketball hoop may have shifted due to filming demands.

Quantum Bridge Mural.
Downtown West and Old Town
(no new locations offered with this update)
Huning Castle & ABQ Country Club


After the episode 'Lantern' aired, many people were convinced that a white house with a red tile roof seen in the distance was Jesse's house. This is false. Jesse's house is southeast from Chuck's house, not west. The white house is actually located at Laguna Blvd. and Los Alamos Ave. SW.
Where Howard parks, 312 Laguna Blvd. SW ("Better Call Saul", Season 3, episode 2, 'Witness'). Look at the beautiful Streamline Moderne house in the background! That's the Charles Lembke House, a notable house in Albuquerque. Howard's back yard path is still a little murky. Possibly through the yard behind 1605 Los Alamos Ave. SW.
Barelas
Rail Yards, this time on the south side, on the Roundhouse side ("Better Call Saul", Season 3, episode 1, 'Mabel'). Also, Mike watches the mysterious man at the Rail Yards ("Better Call Saul", Season 3, episode 2, 'Witness').
Huning Highlands/ Martineztown Locations

Chuck reads Harry Thurston Peck’s 1896 children’s book, “The Adventures of Mabel,” to young Jimmy.
(Photo by James Gelet.)
University Area & Near Presbyterian Hospital

The office is first shown in "Breaking Bad" (Season 5, episode 4, 'Fifty-One'). Lydia, and her mismatched shoes!

A building of interest to the architectural community, the Encino Crescent, is in the foreground (but never shown in 'Madrigal' or 'Fall').
Nob Hill
(no new locations offered with this update)
South Valley (West of River), Southwest Albuquerque and Pajarito Mesa





El Michoacano Restaurant, 2511 Isleta Blvd. SW ("Better Call Saul", Season 3, episode 6, 'Off Brand'). Season 3 reappearance! This location is near Alberto's Tire Pros. Near the intersection of Blake Rd. & Isleta Blvd. SW.
San Jose Neighborhood and South Valley (East of River)

A "Breaking Bad" location! Mexican Meth Lab (Season 4, episode 10, 'Salud'). The old building has since been removed and replaced by this empty lot next to the electrical equipment.


The Veterinarians and staff here were so welcoming and helpful!
Gus' Chicken Farm, Cal-Maine Foods, 9615 Broadway Blvd. SE ("Better Call Saul", Season 3, episode 6, 'Off Brand'). Gus' all-important distribution center (now closed).


Southeast Heights

Stunning mural of Paquimé, largest ruin at Casas Grandes, Chihuahua.
I'm very pleased "Better Call Saul" is using Koenig's Metal Yard, across from El Griego Guiñador. It's the most-interesting looking metal yard in all of Albuquerque.

First shown in Season 1 of "Better Call Saul" (Season 1, episode 7, 'Bingo'). Need a will? Call McGill! Later, Jimmy melts down (Season 1, episode 10, 'Marco'). Seen in the background (Season 2, episode 2, 'Cobbler').
Potentate Tom LaGuardia kindly showed me around the facility.
Near "Q" Studios

The Aperture Center was designed by famous NM architect, Antoine Predock. In 1979, I took a beginning modern dance class at UNM from his lovely wife, Jennifer Predock-Linnell. She is still active today.
Oil Patch ("Better Call Saul," Season 3, episode 9, 'Fall'). Site of corral in BrBa's 'Full Measure' (34.970349°, -106.622158°) Good use of CGI! Here are two photo assemblages made by Superfan Adam Ramirez of the corral and vicinity:

Near the camera view of the Elm Tree from Breaking Bad's episode 'Bit By a Dead Bee.' A tight cluster of filming locations there.
( 34.989141°, -106.645636°)
"Q" Studios
Chuck's House Interior,Studio (Season 1, episode 1, 'Uno'). ID'ed as "Q" Studios in a Facebook post.
I-25 Corridor, North




Reappears! ("Better Call Saul", Season 3, episode 6, 'Off Brand').
North Valley

("Better Call Saul", Season 3, episode 7, 'Expenses') Making a sidewalk.
("Better Call Saul", Season 4, episode 4, 'Talk') Mike talks.



Northwest Albuquerque

Mike pursues his gas cap on a rainy night.
1.) Going up the hill into Rio Rancho (35.213959°, -106.662802°).
2.) Coming down the hill from Rio Rancho (essentially the same place as going uphill).
3.) Empty parking lots, near Intel in Rio Rancho: (35.221531°, -106.661532°)
4.) On the curve on Coors Bypass NW, across from Cottonwood Mall (35.194995°, -106.657669°)
5.) 55 mph. Tennyson & Paseo del Norte Blvd. NE.
6.) Overpass (15 ft. 0 in.). Tennyson & Paseo del Norte Blvd. NE.
7.) Rail yards.
8.) Where Coors Blvd. NW crosses Calabacillas Arroyo.
Rio Rancho
Mike pursues his gas cap on a rainy night.
3.) Empty parking lots, near Intel in Rio Rancho: (35.221531°, -106.661532°)
Corrales
(no new locations offered with this update)
West Mesa (except Pajarito Mesa)


Mike flees down desert road, West of Double Eagle Airport and Shooting Range (35.131313°, -106.871107°). Beautiful helicopter shot, and beautiful Mesa Prieta in distance ("Better Call Saul", Season 3, episode 1, 'Mabel').



(Season 3, episode 3, 'Sunk Costs'). Jimmy gets booked.

Kim's fateful drive, Coors Blvd. NW ("Better Call Saul," Season 3, episode 9, 'Fall'). Kim starts her drive southbound on Coors Blvd. NW, just south of I-40. She continues her drive southbound on Coors Blvd. NW, just north of I-40. Then, whoa, she's on Bobby Foster Rd. SE.
Sandia And Manzano Mountains

To'hajiilee
(no new locations offered in this update)
Zia Pueblo, San Ysidro, and Cabezon
"Don't" ("Better Call Saul", Season 3, episode 1, 'Mabel'). Mike parks near (35.506735°, -106.815202°)
Santa Ana Pueblo & Algodones

Bernalillo and Placitas




Santa Fe & Lamy
(no new locations offered with this update)
Near Los Lunas and Belen
(no new locations offered with this update)
More Distant Locations
(no new locations offered with this update)
----------------------------------
"The Man With Icy Eyes"


It's amusing how the needs of Hollywood film crews don't change much. They all look for a settled, wealthy, professional or upper-class neighborhood. In Albuquerque, that means they gravitate to the same suite of 20 or 30 homes, decade in and decade out.
I'm amused by the Italian-accented Spanish accents. I was intrigued when a witness suddenly gets a stroke and sits mute in a wheelchair (1:03:30). I wonder if this film influenced the development of Hector Salamanca's character?
There are many personal touchstones: sitting in a sidewalk cafe on a frigid day (a stone's throw from where my mom started working in 1972), a glimpse of Lerners Shops (where I worked in 1974), and a wrestling poster featuring my childhood idol, Ricky Romero. Plus, the bad guys share my name.
The offices of a long-defunct newspaper, the Albuquerque News, were used for the Albuquerque Sentinel. When I was in high school, the father of a friend was a reporter there. We sometimes got advance info about the movements of politicians from him. No one seems to remember that newspaper anymore, even though it wasn't that long ago. Google was useless. The building is now gone. I had to query a website of Albuquerque antiquarians ("Albuquerque Memories") to find even one soul who remembered where that place formerly was.
Interesting blog post at The Mansion of Madness.
I've seen them filming at the Twisters restaurant that was used for Los Pollos Hermanos in Breaking Bad.
ReplyDeleteExcellent!
DeleteThis comment has been removed by a blog administrator.
ReplyDeleteThanks for all your hard work on your pages.
ReplyDeleteHappy to see this info on BrBa and BCS.
Don't think that's the correct location for the Gus meetup on Season 3 episode 3. If you go to the shooting range access road on google maps street view, there is no view of the South Sandia Peak which is clearly visible in the scene. I've been attempting to figure out this location and haven't found it yet.
ReplyDeleteThe Google Earth (perhaps the same as the Google Streetmap) image isn't very good. The sun's glare prevents the Sandias from being seen. The Sandias should be clearly visible, though.
DeleteThank you for your hard work on the BB/BCS sites. I've done 3 tours in the last year while passing through ABQ on my way to visit family in Texas. I have a hobby of visiting & photographing filming locations (I live in SoCal and I worked in broadcasting for 30+ years). Thanks to your website, I was able to compile a list of some 200+ possible places to visit each time I go back that way. To date, I've been to 125 sites, including 3 visits to Tohajiillee. In October 2016, I stopped at 2 sites where filming was taking place - Mike's house (got a nice shot of Mike's car parked in front) and The Isleta Blvd Twisters, where I was turned away because the crew was tearing down. They gave me two $2 off coupons. Thanks again! - Stan Hollon
ReplyDeleteMany thanks, Stan. Pleased to make your acquaintance! Isn't BrBa/BCS awesome? And I'm glad you got so close to the fire, so to speak, on your visits. May you have more episodes of such luck!
DeleteThanks for all of your hard work. When Mike was on the chase of the gascap, where are those arched tunnels? Thanks.
ReplyDeleteThat would be where Tennyson crosses under Paseo del Norte, just west of Tramway Blvd. I was surprised - I didn't even know this crossing was there.
DeleteThank you! I went on Google to find that exact location but did not see much. LOL. Thank you. You do a tremendous job and I thank you. Roni
DeleteSatellite Dishes/Comm Tower near Pennsylvania/Menaul is the Comcast Albuquerque headend.
ReplyDeleteOne of the opening show title clips in season 3 showing a vehicle driving along a street with the license plate LWYRUP is indian school eastbound between Juan Tabo and chelwood park with the car coming to a stop at Chelwood Park.
A friend's family lives about a block away from the Comcast antennas.
ReplyDelete:-)
I plan to visit some of these sites as I am Albuquerque next Wednesday, June 14. I wonder if any shooting is going on? You have done a great job here.
ReplyDeleteNo shooting for BCS (maybe other shows, though). Everyone remains on pins and needles, worrying that AMC might not renew for Season 4.
DeleteI hope they will renew. Halt and Catch Fire had terrible ratings but they continued with 2 seasons because they believe in the show and it had a loyal but small following. BB has been very good for AMC so fingers crossed they will continue for us die hard fans. We need our Jimmy and Mike!!!! I wish they had 12 or 13 epsisoded per season though. And now we wait with bated breath, fingers crossed. Come on AMC! Roni
ReplyDeleteEpisodes, not episisoded. Too early, not enough coffee. lol.
DeleteHi
ReplyDeleteThe location at Tennyson and Paseo del Norte is wrong.
For one, those streets don’t cross.
No bridge that matches.
Does anyone know the real location?
Tennyson does indeed cross under Paseo del Norte, just west of Tramway. That bridge was used for a filming location. Still, there is also the other filming location - the tunnels under Coors Blvd. in Calabacillas Arroyo, near Cottonwood Mall. Both locations were featured in Mike's journey on a rainy night.
Delete