"The Producers" - Las Vegas

The reviewer was not pleased, Davis Hasselhof, or no:

Dialogue and scene trims brusquely advance plot at the expense of character, and the musical cuts are curious. "The King of Broadway" that introduces Max in Act I—deleted without consequence from the 2005 movie by going directly to Max and Leo's loopy office meeting that nicely establishes both characters—is reinstated. But the adorable and affectionate "That Face," a flirty song-and-dance courtship between Leo and hot-blond secretary Ulla (Leigh Zimmerman), is axed, destroying the foundation for their sweet romance that now seems dropped in from another play. "In Old Bavaria," a disposable Franz number also struck from the movie, remains, while "Der Guten Tag Hop Clop"—a hilariously physical showcase of Franz's comic dementia, with Max and Leo singing and dancing along—disappears. And late-play showstopper "Betrayed," a tour de force in which imprisoned, embittered Max delivers a machine-gun recap of the plot, is sacrificed, perhaps because with all the cuts, not everything that happens in The Producers happens in this Producers.