Cool staircase here at the Harris Center. (After "Man of La mancha", I'm conditioned to look closely at staircases.)
I saw the CORE show last year in Auburn, but as Kelli noted, this version has been about 75% reworked. The piece is dedicated to Kelli's Norwegian grandmother, who came to the U.S. post-WWII, but I kept confusing it in my own mind with my great-aunt, a Norwegian woman who was born on a sailing vessel in what is now Indonesia, plus my experience living a year in Salt Lake City (1989-90). Indeed, since most of the dancers did not wander far from established stations, it felt like they were monuments in a kind of psychic landscape - a Monument Valley of the imagination - with Kelli's grandmother being a solitary traveler. Almost like she was a solitary 49er heading west in a covered wagon (with the skirt being the wagon - both a support and a burden).
Just a different way of looking at the dance.
"Rise" - the dancers' perspective (part 3)Rachael and Lexi share their inspiration for their performance in "Rise". Tickets available for Saturday's shows at harriscenter.net #BTS #BehindTheScenes #COREContemporaryDance #RISE #Sacramento #DANCE #HarrisCenter #Folsom #Sac365 #SubmergeMag #VisitSac #SMAC #ARTS #LOCAL #ContemporaryDance
Posted by CORE Contemporary Dance on Thursday, March 24, 2016
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