The Universe Is A Hologram

Which explains some of the physical blurring, but doesn't explain why it's set up that way. Is the Universe some kind of cinematic art work?:

For many months, the GEO600 team-members had been scratching their heads over inexplicable noise that is plaguing their giant detector. Then, out of the blue, a researcher approached them with an explanation. In fact, he had even predicted the noise before he knew they were detecting it. According to Craig Hogan, a physicist at the Fermilab particle physics lab in Batavia, Illinois, GEO600 has stumbled upon the fundamental limit of space-time - the point where space-time stops behaving like the smooth continuum Einstein described and instead dissolves into "grains", just as a newspaper photograph dissolves into dots as you zoom in. "It looks like GEO600 is being buffeted by the microscopic quantum convulsions of space-time," says Hogan.

If this doesn't blow your socks off, then Hogan, who has just been appointed director of Fermilab's Center for Particle Astrophysics, has an even bigger shock in store: "If the GEO600 result is what I suspect it is, then we are all living in a giant cosmic hologram."

...The holograms you find on credit cards and banknotes are etched on two-dimensional plastic films. When light bounces off them, it recreates the appearance of a 3D image. In the 1990s physicists Leonard Susskind and Nobel prizewinner Gerard 't Hooft suggested that the same principle might apply to the universe as a whole. Our everyday experience might itself be a holographic projection of physical processes that take place on a distant, 2D surface.

The "holographic principle" challenges our sensibilities. It seems hard to believe that you woke up, brushed your teeth and are reading this article because of something happening on the boundary of the universe. No one knows what it would mean for us if we really do live in a hologram, yet theorists have good reasons to believe that many aspects of the holographic principle are true.

Susskind and 't Hooft's remarkable idea was motivated by ground-breaking work on black holes by Jacob Bekenstein of the Hebrew University of Jerusalem in Israel and Stephen Hawking at the University of Cambridge. In the mid-1970s, Hawking showed that black holes are in fact not entirely "black" but instead slowly emit radiation, which causes them to evaporate and eventually disappear. This poses a puzzle, because Hawking radiation does not convey any information about the interior of a black hole. When the black hole has gone, all the information about the star that collapsed to form the black hole has vanished, which contradicts the widely affirmed principle that information cannot be destroyed. This is known as the black hole information paradox.

Bekenstein's work provided an important clue in resolving the paradox. He discovered that a black hole's entropy - which is synonymous with its information content - is proportional to the surface area of its event horizon. This is the theoretical surface that cloaks the black hole and marks the point of no return for infalling matter or light. Theorists have since shown that microscopic quantum ripples at the event horizon can encode the information inside the black hole, so there is no mysterious information loss as the black hole evaporates.

Crucially, this provides a deep physical insight: the 3D information about a precursor star can be completely encoded in the 2D horizon of the subsequent black hole - not unlike the 3D image of an object being encoded in a 2D hologram. Susskind and 't Hooft extended the insight to the universe as a whole on the basis that the cosmos has a horizon too - the boundary from beyond which light has not had time to reach us in the 13.7-billion-year lifespan of the universe. What's more, work by several string theorists, most notably Juan Maldacena at the Institute for Advanced Study in Princeton, has confirmed that the idea is on the right track. He showed that the physics inside a hypothetical universe with five dimensions and shaped like a Pringle is the same as the physics taking place on the four-dimensional boundary.

According to Hogan, the holographic principle radically changes our picture of space-time. Theoretical physicists have long believed that quantum effects will cause space-time to convulse wildly on the tiniest scales. At this magnification, the fabric of space-time becomes grainy and is ultimately made of tiny units rather like pixels, but a hundred billion billion times smaller than a proton. This distance is known as the Planck length, a mere 10-35 metres. The Planck length is far beyond the reach of any conceivable experiment, so nobody dared dream that the graininess of space-time might be discernable.

That is, not until Hogan realised that the holographic principle changes everything. If space-time is a grainy hologram, then you can think of the universe as a sphere whose outer surface is papered in Planck length-sized squares, each containing one bit of information. The holographic principle says that the amount of information papering the outside must match the number of bits contained inside the volume of the universe.

Since the volume of the spherical universe is much bigger than its outer surface, how could this be true? Hogan realised that in order to have the same number of bits inside the universe as on the boundary, the world inside must be made up of grains bigger than the Planck length. "Or, to put it another way, a holographic universe is blurry," says Hogan.

This is good news for anyone trying to probe the smallest unit of space-time. "Contrary to all expectations, it brings its microscopic quantum structure within reach of current experiments," says Hogan. So while the Planck length is too small for experiments to detect, the holographic "projection" of that graininess could be much, much larger, at around 10-16 metres. "If you lived inside a hologram, you could tell by measuring the blurring," he says.