[T]he sense and sound of ancient Greek music has proved incredibly elusive. This is because the terms and notions found in ancient sources – mode, enharmonic, diesis, and so on – are complicated and unfamiliar. And while notated music exists and can be reliably interpreted, it is scarce and fragmentary. What could be reconstructed in practice has often sounded quite strange and unappealing – so ancient Greek music had by many been deemed a lost art. Indeed, ancient Greek music has long posed a maddening enigma. Yet music was ubiquitous in classical Greece, with most of the poetry from around 750BC to 350BC – the songs of Homer, Sappho, and others – composed and performed as sung music, sometimes accompanied by dance. Literary texts provide abundant and highly specific details about the notes, scales, effects, and instruments used. The lyre was a common feature, along with the popular aulos, two double-reed pipes played simultaneously by a single performer so as to sound like two powerful oboes played in concert.
But recent developments have excitingly overturned this gloomy assessment. A project to investigate ancient Greek music that I have been working on since 2013 has generated stunning insights into how ancient Greeks made music. My research has even led to its performance – and hopefully, in the future, we’ll see many more such reconstructions.
Wednesday, August 01, 2018
Recreating The World of Ancient Greek Music
Getting a better understanding: