Since Bella needs to have someone monitor her progress as she learns language and motor skills, Godwin asks one of his students, Max McCandles (Ramy Youssef), to be a companion for her. Godwin has kept Bella shielded from society, but when Bella gets a taste of life outside — Lanthimos has depicted the impact of seclusion from society since his brilliant breakout film, “Dogtooth” — she becomes hungry for adventure. Despite becoming engaged to Max, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a handsome cad, shortly after discovering how to pleasure herself in a rather . . . resourceful way. “Poor Things” takes off at this point in ways that astound and amuse.
The plot borrows heavily from “Pygmalion,” “Frankenstein” and “Prometheus” among other narratives.
I really like the dance sequence.
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