What’s most impressive about Parts One and Two alike might be Villeneuve’s ability to make all of this comprehensible to a lay audience that hasn’t read the book and doesn’t have access to its lengthy glossary. He has a remarkable sense of what does and what does not need to be explained, how to make exposition seem organic to the story, and how to balance this onslaught of information against the need to develop distinctive characters and advance the plot. He makes all of that look much easier than it actually is. Fans of the book can recognize all the subtle nods—for instance, how closely the emperor’s temporary headquarters on Arrakis resembles its description in the novel: “A single metal hutment, many stories tall, reached out in a thousand-meter circle from the base of the lighter—a tent composed of interlocking metal leaves.” Newcomers don’t need to know how accurately the film realizes that image to appreciate how cool it looks on screen. They may, however, understand some of the plotting and character motivations better than first-time readers of the novel do, because Villeneuve is frankly better than Herbert at establishing those in plain English and in logical sequence.
Sacramento area community musical theater (esp. DMTC in Davis, 2000-2020); Liberal politics; Meteorology; "Breaking Bad," "Better Call Saul," and Albuquerque movie filming locations; New Mexico and California arcana, and general weirdness.
Wednesday, February 28, 2024
Looking Forward to Dune II
The better part is coming up:
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