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The critic Rob Ager has noted the monolith represents the film screen itself, "a transitionary doorway in and out of the film narrative." At the Crossroads Motel the doorway might be to the past, to its namesake, London's Crystal Palace of 1851.
The doorway motif reappears several times in "Breaking Bad" - for example, in Georgia O'Keeffe's Doorway painting. Several story lines in "Breaking Bad" may be based on Stephen King's "Night Shift," a collection of horror stories, including 'I Am The Doorway.'
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