April 1, 2009: They don't see me as I slip through this multiplex, down shadowy troughs of aisles that reek of the corruption of butter topping gone sour in perverse imitativeness and price inflation. Someday they will cleanse these aisles. Someday the bonelike crunch beneath my shoes, the viscosity like drying blood, will stop crying in my ears like the anguish choked back by an abused boy, the kind who's alone and smashes people and narrates highly regarded graphic novels. But not tonight. Tonight, in what we've made of America, even the dark rain that has been falling for hours in this theater won't wash away the sick popcorn of human depravity, because there are only three people left who are willing to buy tickets for Watchmen, and as I sink into a shame of lumpish upholstery the other two avert their eyes. One of them looks like Nixon.
So this is what we've become: a sparse and flaky excrescence on the surface of mass-market culture, like dandruff in the thin hair of an aging character actor. Soon the show will begin, and for 162 minutes I will witness the truth of Watchmen. Not the false truth of "a movie," which the others will see, but the true truth of a significant pattern in contemporary thought and social life, visible only to me and my dying kind. Freak, they call me. Psycho. Vigilante. Film critic.
Sacramento area community musical theater (esp. DMTC in Davis, 2000-2020); Liberal politics; Meteorology; "Breaking Bad," "Better Call Saul," and Albuquerque movie filming locations; New Mexico and California arcana, and general weirdness.
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Wednesday, April 22, 2009
Strangest Movie Review In Years
Didn't read the whole thing. Kept stumbling across the thought-pebbles:
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